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Dynamic Range: DR200 There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. Does it faithfully resemble real Portra 800? Example photographs, all camera-made JPEGs using this Fujicolor Superia 1600 film simulation recipe on my Fujifilm X100V: Electric Sunset – Kaysville, UT – Fujifilm X100V, Evening Overlook – Farmington, UT – Fujifilm X100V, Sunlight Tree – Farmington, UT – Fujifilm X100V, Country Fence – Kaysville, UT – Fujifilm X100V, Rose Bush Shadow – Farmington, UT – Fujifilm X100V, Red Rose Bush – Farmington, UT – Fujifilm X100V, Yellow Flower – South Ogden, UT – Fujifilm X100V, Not Yet Blackberries – Farmington, UT – Fujifilm X100V, Backyard Girl – Farmington, UT – Fujifilm X100V, Evening Light Tunnel – Farmington, UT – Fujifilm X100V, Building in Evening Light – Farmington, UT – Fujifilm X100V, Head On Illusion – Farmington, UT – Fujifilm X100V, Walking Reflection – Farmington, UT – Fujifilm X100V, Indoor/Outdoor Restaurant – Farmington, UT – Fujifilm X100V, Carbonaro – Farmington, UT – Fujifilm X100V, Vegetables – Farmington, UT – Fujifilm X100V, Dessert – Farmington, UT – Fujifilm X100V, Thank You For You Patronage – South Ogden, UT – Fujifilm X100V, Wall Pipes – South Ogden, UT – Fujifilm X100V, Closed Gas Station Store – South Ogden, UT – Fujifilm X100V, Abandoned Drive Thru Window – South Ogden, UT – Fujifilm X100V, Abandoned Gas Station Overhang – South Ogden, UT – Fujifilm X100V, Light at the Top – Farmington, UT – Fujifilm X100V, Blue in the Middle – Farmington, UT – Fujifilm X100V, Moon Above – Farmington, UT – Fujifilm X100V, Suburban Sunstar – Farmington, UT – Fujifilm X100V, Bike 48 – Farmington, UT – Fujifilm X100V, Sunstar in the City – Farmington, UT – Fujifilm X100V, Strength and Endurance – Farmington, UT – Fujifilm X100V, Amusement Poles – Farmington, UT – Fujifilm X100V – “Fujicolor Reala 100”. On the X-T3 and X-T30, you have the option of 0 (for neutral), +1 through +9 for warm, and -1 through -9 for cool. For many cameras, data on sensor performance has been reported by DXO Mark. These settings gradually increase the amount of detail visible in the shadow and highlight areas, with the side-effect of more noise appearing in the image. Full spectrum photography is similar to infrared, but also includes ultraviolet and visible light (not just infrared light). Grain Effect: Strong, Large Noise Reduction: -4 Premium 400 doesn’t have the “4th cyan color layer” that every other Superia film has, and that seems to be the biggest difference between it and Xtra 400. Thank you, Thomas, for creating this recipe and sharing it! Even though this recipe is based on a more obscure variation, the results are quite interesting, and I think a lot of people are going to really appreciate it. Fujifilm JPEG Settings - The Recipes. For low contrast, set Highlight to -1 and Shadow to +2. Back when I shot film I would often give my prints a quick Sepia bath, both for warmth and archival reasons, and the Toning option on your X-Trans IV camera does a good job of mimicking that. The upcoming Fujifilm GFX100S has a brand new film simulation called Nostalgic Negative. These settings look pretty darn close to that picture, but it’s difficult to know if it’s truly accurate because I only had one sample to work with, and I don’t know how it should look in various situations. I’ll start with the Fujifilm X100V Kodachrome 64 film simulation recipe. Color Chrome Effect: Strong Eventually Fujifilm added Superia to Reala’s name. I’m reminded of a bright summer day, which is why I call this recipe “Bright Summer.”. I think it does, but film can look different depending on how it’s shot, developed, scanned or printed, and this recipe won’t mimic every aspect of the film. For some other sample pictures, I thought that the Kodachrome 64 recipes (the X-T1 recipe, the X-T30 recipe and the X100V recipe, but especially the X100V version) are pretty darn close. It looks good under many circumstances. It’s one of the more difficult to use recipes that I’ve created, yet it is highly rewarding. These four photographers had different styles and different darkroom processes, and they each had a unique look; the commonality that Fujifilm found was an “overall atmosphere based on amber.” That’s a basic explanation of what Nostalgic Negative is.

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